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54 pages 1 hour read

Pauline Elizabeth Hopkins

Of One Blood: Or, the Hidden Self

Fiction | Novel | Adult | Published in 1902

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Symbols & Motifs

Mysticism and the Supernatural

Mysticism and the supernatural recur as motifs throughout the story in relation to the Black characters. The supernatural imbues the worldview and cultural understanding of Black people, becoming an integral part of African American heritage. Mysticism and the supernatural often manifest in the form of ghosts and visions that mostly connect to the women in the story, and have a “haunting significance” (2). Reuel sees Dianthe in a vision before meeting her for the first time. As a spirit, Dianthe pleads with Reuel for help and liberation from suffering. The vision of Mira, Reuel and Dianthe’s mother, relates to the history of enslavement, which haunts the characters’ lives. Mira’s spirit demands justice for the oppression and abuse she endured, warning that all dark secrets will be revealed. Her apparition also shows Aubrey’s letter to Reuel, illuminating the conspiracy of murder. Women as spirits demand justice and liberation, as they remain oppressed, marginalized, and controlled in the real world.

Mystical powers and the significance of spirituality are also key in the Ethiopian culture of Telassar. Ai’s storytelling about the traditional African worldview counters Eurocentrism and establishes the narrative’s Black cultural perspective. For Ai, the supernatural is not magic but “a secret of Nature” (136).

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